“Remaking “Snow White and the Seven Dwarfs” into something that was such a departure that its star felt that she had the green light to verbally vomit all over the original was the product of a corporate and creative ethos that had reached the conclusion that it didn’t need to entertain half of America. The half that was most likely to spend money on its movies, by the way.”
(Stephen Kruiser – PJ Media) I have been watching the drama over Disney’s reboot of “Snow White” with both fascination and dismay. It’s not the good kind of fascination either. It’s more like viewing a train derailment from a high rise building a couple of blocks away — you don’t want to see it, but you can’t stop looking.
“If it ain’t broke, don’t fix it,” is one of the most famous adages that we all seem to learn very early in adulthood, if not earlier. It’s not universally applicable, of course. A misapplication of that idea could lead to stagnation or — the rapid demise of Blockbuster Video comes to mind here — complete destruction.
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It’s happening: Hollywood is panicking over the latest ‘Snow White’ crisis…
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