“I don’t want the public to see the world they live in while they’re in the park. I want them to feel they’re in another world.”
(Tiffany Layne) In the last entry, “Gay Rom-Coms: The Final Frontier?” we revealed Hollywood and the alphabet community’s delusions of grandeur in communities it professes to serve. Its own self-aggrandizement forever eclipses any possibility of consideration for the harm it inflicts. With this in mind, our children’s minds and futures are clearly but collateral damage in the wake of pursuing their own agendas.
At the center of this rainbow/trans-storm was, of all entities, the Walt Disney corporation. When animator, producer and entrepreneur Walter Elias Disney spoke those words more than 60 years ago, he envisioned a fantasy land like no other. Not just in his theme parks, but in his movies as well.
Like an old married couple, when Walt died in 1966, his vision died soon after him.
As the years went by, Disney’s legacy slowly began to slide in ways there were nuanced and subtle, while others that were more blatant and conspicuous (such as allowing “Gay Days” at most of their theme parks); clearly showing a direction averse to Walt’s vision. However, for those paying attention, Walt’s namesake had been heading toward its current destination for a very long time.
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